2016 has seen a wealth of Shakespeare-related programming, performances, carefully timed book releases, and even a special hashtag, all in observance of the 400-year anniversary of the Bard's death in April 1616. Now that the dust of this international ferment has more or less settled, the Toledo Museum of Art offers up its own variation on the theme, with Shakespeare's Characters: Playing the Part. Promising to "bring the beloved writer's works to life," this exhibition engages visitors well beyond the works and their iconic roles, where the characters serve as diverse points of entry into a multidisciplinary exploration of Shakespeare's far-reaching influence.
My review of Catalan modernist Mercè Rodoreda's War, So Much War was selected for publication in the summer issue of The Puritan. The novel, which I call "literary quicksilver" for its defiance of conventional literary forms, was published only three years before the prolific writer's death in 1983 and now appears, courtesy of Open Letter Books, in a "hypnotic" and "incandescent" English translation by Maruxa Relaño and Martha Tennent. Tensely psychological, Rodoreda's deft manipulation of voice serves as a perfect vehicle of expression for the novel's existential themes, foregrounded in this nameless, place-less war which suggests an interior, rather than a geographical, landscape. Yet despite the vague setting, Rodoreda devotees will recognize the author's recurrent pastoral imagery, simultaneously violent and bucolic, and her provocative stream-of-conscious narration peopled with fascinating characters. Explore the enigmatic territory of the self with my review of a welcome addition to the Rodoreda corpus in English.
Publication announcements, bookish items of note and the occasional literary musing.